The late Qing period witnessed the steady decline in the Chinese porcelain industry. The Jingdezhen porcelain industry made an anaemic recovery after the turmoil caused by the Taiping rebellion. Coupled with competition from cheap Japanese porcelains in the domestic market and European porcelains and pottery wares in the export market, the Chinese porcelain industry faced an increasingly bleak prospect. Some enlightened individuals recognised the urgent need for restructuring to revitalise the porcelain industry. Among the pioneers was a Qing official Xiong Xiling of Hunan province. He set up the Hunan Porcelain School in A.D 1906 which taught courses on use of the potter's wheel, making models and moulds and porcelain painting. He recruited noted Jingdezhen and Japanese craftsmen to teach the skills. The craftsmen also developed the underglaze polychrome decorations. Later Xiong was able to raise the required funds from private and government sources to set up the Hunan Porcelain Company in Liling County. It was famous for the production of Liling underglaze polychrome decorations which won a number of prizes in the Panama and Italy Exposition. The factory was destroyed during the war in A.D 1918 but was rebuilt. However production quality and quantity deteriorated and ceased production sometime after A.D 1930. The underglaze polychrome know-how was temporarily lost but during the 1950s, the old Hunan craftsmen helped to re-introduce underglaze polychrome techniques. Since then, many more colours were introduced and Liling underglaze polychrome continues to attract many admirers till this day.
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Pengcheng in Hebei also produced underglazed enameled wares during the Republican period. The vessel is covered with slip, decorated with enamels and then glazed. Due to the use of a slip, it has poorer adhesion and tends to flake more easily.
Another important company was the Jiangxi Porcelain Company which was formed in A.D 1910 with private and government capital. The company also set up a school to carry out research on mechanization of production, quality improvement and firing with coal as fuel. The products of the company were generally of good quality. Despite the cessation of government funds after the A.D 1911 revolution which overthrew the Qing Dynasty, it continued operation at least till A.D 1934. Products from the company carried the mark, "Jiangxi Ciye Gongsi- one Company". There were also many other porcelain companies set up in other provinces. Most of the porcelain companies were engaged in the production of utilitarian wares.
An important development during the Republican period was emergence of market for decorative art porcelains. They were produced by private workshops in Jingdezhen. The artists personally composed and executed the works. Their works were essentially a continuation of the literati style paintings on ceramics first popularised by the Qianjiang artists of the late Qing period. But now, the decorations were done in more glossy and brilliant fencai enamels. The artists' mastery of the fencai enamels were superb with ability to depict delicate fine shadings. The most famous pioneers of new fencai were Pan Taoyu and Wang Xiaotang. Pan was a all-rounder who was good in human figures, landscape and bird/flower. Wang was famous for his work on human figures. Both died young before the age of 40. Very few of their works survived.
Among Pan Taoyu's students are Wang Yeting, Liu Yucen and Cheng Yiting, all members of the famous Eight Friends of Zhushan (Pearl Hill). The Eight Friends of Zhushan were among the best Fencai master artists of the Republican period.They were members of the Yue Yuanhui, a society which members met on the full moon of every lunar month at Zhushan to interact and exchange ideas. Each of the artists specialised in a particular subjects and had their distinctive style. It is now generally accepted there were 10 artists who were at one point or another members of the society:
Some of the contemporaries of the Eight Friends of Zhushan, were equally good if not better. Among them are Wang Bu (famous for his blue and white), Wang Dacang (famous for his landscape), Fang Yunfeng (famous for his human figures and cats) and Zhang Zhitang (famous for landscapes). This literati style of fencai painting was very successful and highly appreciated. They continued to be produced till today.
During the Republican period, majority of the overglaze enamelled wares were done by private workshops called hongdian. Majority of the productions were done using new imported enamels call shuicai, literally meaning water colours. The enamels were imported from Europe and Japan. Visually the work done using shuicai has thin and even colour tone. A type of landscape called qinglu shanshui characterised by generous use of green and blue enamels was popular during the Republican period. Other popular themes included human figures in Republican period clothing and decoration of beauties and peach blossoms.
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During the Republican period, there was also a vogue for imitation of Qing Imperial wares. The demise of the Qing dynasty resulted in the closure of the Imperial kiln. Many former craftsmen from the Imperial kiln were engaged to produce the copies. Especially popular were those overglaze polychrome wares that carried the Qianlong reign mark. Many were decorated in the falangcai style and they carried the Guyuexuan mark. There were also many with European subjects and with the Lang Shining mark. Some of the genuine falangcai pieces with European motifs made during the Qianlong period were said to be decorated by him. The imitations were highly demanded by the rich and high officials who were willing to pay exorbitant prices for them.
The Republican president Yuan Shikai had also ordered Guo Baochang to supervise the making of porcelains for his personal use. They were modeled after the Qing imperial wares. It is now generally believed that the genuine ones carried the Jurengtang Zhi mark. Those that carried the Taowu Jiandu Guo Baochang Jingzhi marks were also believed to be among the porcelains made for Yuan shikai (please see below left photo). Those with the Zhizhai zhuren mark were produced for Guo's personal use. Those that carried the reign mark of Hongxian are now generally accepted as subsequent Republican copies. Nevertheless, many of the Hongxian marked pieces were of very good quality.Famous artists such as Wang Xiaotang and Wang Dacang were known to have painted some of the pieces. Indeed, the Republican period produced some of the best imitations of Qing imperial wares.